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Kristin Oppenheim

Born in 1959 in Honolulu, Hawaii.
Lives and works in New York.

EDUCATION
1989
- MFA Hunter College, New York
1984
- BA San Francisco State University, San Francisco

SOLO EXHIBITIONS / PROJECTS
2015
- ECHO, Secession, Wien
- White Rabbit, greengrassi, London
2014
- Where Did You Sleep Last Night, Frieze Sculpture Park, Regent’s Park, London
2013
- Where Did You Sleep Last Night, Siège du Parti Communiste, Paris (part of ‘Nuit Blanche’ curated by Chiara Parisi)
- She was Long Gone, Dallas Art Fair, Dallas, TX (with Oliver Francis Gallery)
2007
- The Thief, greengrassi, London
2003
- Black Sabbath, KIASMA, Museum of Contemporary Art, Helsinki
2002
- Numbers, San Francisco Museum of Modern Art, San Francisco, CA
- Black Sabbath, 303 Gallery, New York
- Installations Sonores et Dessins, FRAC Pays de la Loire, Carquefou
2001
- Sally Go Round, Harrisonburg Area Community College, Harrisburg, PA
2000
- The Eyes I Remember, 303 Gallery, New York, NY
- Hey Joe, Oboro, Montréal, Canada
1999
- Scat, greengrassi, London
1997
- Blackbird, Blackbird, The Jewish Museum, New York, NY
1996
- Hey Joe, 303 Gallery, New York, NY
- Slip, Centre Genevois de Gravure Contemporaine, Geneva
1995
- Sally-Go-Round, Studio Guenzani, Milan
- The Spider and I, Art Gallery at Buffalo University, Buffalo, NY
1994
- Hush, Villa Arson, Nice
- Sail on Sailor, 303 Gallery, New York, NY
1993
- Shiver, Studio Guenzani, Milan

GROUP EXHIBITIONS
2014
- CONTEXT-ing, The CONTEXT Pavilion, Miami, FL
- Des histoire sans fin (cycle), Mamco, Geneva (cur. by Christian Bernard)
- The International Biennial of Contemporary Art of Cartagena de Indias, Bogota (curated by Berta Sichel)
2013
- NYC 1993: Experimental, Jet, Set Trash and No Star, New Museum, New York, NY (curated by Massimiliano Gioni)
- [Un]Seen, Foutain Gallery, New York, NY (curated by Elise Goldberg)
- Come and Go, Swiss Embassy, Vienna (curated by Gabriela Gantenbein)
2012
- The Perfect Show, 303 Gallery, New York, NY
- Elles, Women Artists from the Centre Pompidou, Seattle Art Museum, Seattle, WA Dessins de fil, FRAC Pays de la Loire, Château d'Oiron, France
2011
- exquises esquisses, FRAC Pays de la Loire, Carquefou Volume!, Museu d’Art Contemporani, Barcelona (curated by Bartomeu Marii & Antonia M. Perello with the collaboration of Nimfa Bisbe)
2010
- One Leading Away from Another, 303 Gallery, New York, NY
- Modèles modèles 2, Mamco, Musee d’Art Moderne et Contemporain, Geneva
2009
- Nacht Und Traume, Galleri Opdahl, Stavanger (curated by Vincent Honore)
- Elles, Centre Georges Pompidou, Paris (curated by Alain Dubillot) 2007
- Silence. Listen to the Show, Sandretto Foundation, Turin (curated by Francesco Bonami) ‘Til I Die, Spencer Brownstone Gallery, New York, NY
- Brave New Year, 303 Gallery, New York, NY
- Rouge baiser, FRAC Pays de la Loire
2006
- Having New Eyes, Aspen Art Museum, Aspen, CO ARMED, Mandeville Gallery, Nott Memorial, Schenectady, New York, NY
2005
- Glass Seriously, Dorsky Gallery, Queens, New York, NY
- Itenararios del Sonido, Centro Cultural del Conder Duque, Madrid Nothing to Fear, Arts Center of the Capital Region, Troy, NY
2004
- Vollevox, Musées Royaux des Beaux-Arts de Belgique, Brussels Making Visible, Gallery Farschou, Kobenhavn
- Open House-Working in Brooklyn, Brooklyn Museum of Art, New York, NY
2003
- Entre-Deux, FRAC Pays de Loire, Carquefou
- Don’t Call it Performance, Museo Nacional Centro de Arte Reina Sofia, Madrid; Centro Andaluz de Arte Contemporáneo, Seville; Museo del Barrio, New York, NY
- Within Hours We Would Be in the Middle of Nowhere, 303 Gallery, New York, NY
2002
- Visions from America, Whitney Museum of American Art, New York, NY
- L’Esprit de famille, Musée d’Art Moderne et Contemporain, Geneva
- Dessins croisés, Musée de L’Abbaye Sainte-Croix, Les Sables d’Olonne
- Intime Nature, Parc Saint Léger, Centre d’Art Contemporain, Pougues-les-Eaux (curated by Marie de Brugerolle)
- We Aim To Please… The Flatterers, FLAT, New York, NY
- The Big Id, James Cohan Gallery, New York, NY
- Now Playing: Audio in Art, Susan Inglett, New York, NY
2001
- Brooklyn!, Palm Beach Institute of Contemporary Art, Lake Worth, FL
2000
- Minding Glass, Susquehanna Art Museum, Harrisburg, PA (curated by Jonathan VanDyke)
- Little Angels, Houlsdworth Fine Art, London
- Presumed Innocent, CAPC, Bordeaux (curated by Marie Bernadac & Stéphanie Moisdon) Innuendo, Dee Glasgoe, New York
1999
- Enter Here, New York, NY (organized by Peter Ryan)
- The American Century: Art & Culture 1900-2000, Whitney Museum of American Art, New York
- Searchlight: Consciousness at the Millennium, CCAC Institute, San Francisco, CA (curated by Larry Rinder)
- The Greatest Show on Earth, University of Texas at El Paso
- Le temps libre, Ville de Deauville, Deauville (curated by Jean-Charles Masséra)
- Editions, Centre Genevois de Gravure Contemporaine, Geneva
- Voices, Le Fresnoy, Tourcoing (curated by Christopher Phillips)
1998
- Visions, St. Trophime Rez de Chaussée, Arles (curated by Claudio Guenzani)
- One Step Backwards: Books, Prints, Videos, 1998, Centre Genevois de Gravure Contemporaine, Geneva
- Gravures, vous avez dit Gravure, Musée Jurassien des Arts, Moutlier
- Voices, Witte de With, Rotterdam, Netherlands; Foundació Joan Miró, Barcelona (curated by Christopher Phillips & Judith Barry)
1997
- Multiples, Ecole des Beaux-Arts, Metz
- New York, Galleri F15, Moss
- été 97, Centre Genevois de Gravure Contemporaine, Geneva
- 303 Gallery, New York
- You Are Here, Royal College of Art, London
- Young and Restless, Museum of Modern Art, New York, NY
- Dialogues: Kristin Oppenheim / Todd Norsten, Walker Art Center, Minneapolis, MN
1996
- Kristin Oppenheim and Herman Maier Neustadt, Aktionsforum Praterinsel, Munich, Germany
- Shopping, Deitch Projects, New York, NY (curated by Jerome Sans)
- AutoReverse 2, Le Magasin, Grenoble (curated by Stephanie Moisdon-Trembly)
- Divers complements d’hivers, MAMCO, Geneva
- 29’ - 0 / East, New York Kunsthalle, New York, NY; Kunstraum Vienna (curated by Martin Kunz)
- Extensions, La Caixa, Barcelona (curated by Amparo Lozano)
- Tone, The Kitchen, New York (curated by Ben Neil)
- Cushy Job, Galerie Analix, Geneva
1995
- Threshold, Fundacao de Serralves, Porto (curated by Dan Cameron)
- Infrasound, Hamburger Woche der Bildenden Kunst, Hamburg (curated by Jerome Sans)
- Murs du son, Villa Arson, Nice (curated by Liam Gillick)
- On Board, Venice Biennale, Venice (curated by Jerome Sans)
- Avant-Garde Walk in Venice, Venice Biennale, Venice (curated by Marc Pottier)
1994
- Uncertain Identity, Galerie Analix, Geneva
- Galerie Jennifer Flay, Paris
1993
- Soros Centre of Contemporary Art, Ljubljana
- Utopia del Possible, Foyer Teatro Carlo Felice, Geneva (curated by Enrico Pedrini)
- Cadavre Exquis, The Drawing Center, New York, NY
- Love Again, Kunstraum Elbschloss, Hamburg (curated by Brigit Gaterman & Claudia Hart)
- More than Zero, Le Magasin, Grenoble (curated by Alessandra Galasso)
- Tom Cugliani, New York, NY
- Galerie Anne de Villepoix, Paris
- Aperto, Venice Biennale, Venice
- Les Images du Plaisir, FRAC Pays de la Loire, Chateau Gontier, Chapelle du Geneteil; Palais des Congres et de la Culture, Le Mans
1993
- Confessional, Elizabeth Koury Gallery, New York, NY (curated by Andrea Scott)
- Oliver Herring, Bill Jacobson, Scott Lifshutz, Kristin Oppenheim and Maura Sheehan, Simon Watson’s Living Room, New York, NY
- Cocktail, Galerie Meile, Luzern
1992
- Kristin Oppenheim, Andre Strong, AC Project Room, New York, NY
- Sandra Gering Gallery, New York, NY (project curated by Alan Clairet)
- The Gift, Dooley Le Cappelaine Gallery, New York, NY
- Under Thirty, Galerie Metropol, Vienna (curated by Erik Oppenheim)
- Writings on the Wall, 303 Gallery, New York, NY
- Christine Lidrbauch, Kirsten Mosher, Kristin Oppenheim, Nicole Klagsbrun Gallery, New York, NY (curated by Alan Clairet)
- Multiplicity, Robin Lockett Gallery, Chicago, IL
- The Back Room, Dooley Le Cappelaine Gallery, New York, NY
- Water Bar, 303 Gallery, New York, NY
1991
- One Leading to Another, 303 Gallery, New York, NY
- Encounters with Diversity, PS1, Long island, NY (curated by Zdenka Gabalova)
- Art Workers Show, AC Project Room Gallery, New York, NY
- Esther Schipper Gallery, Cologne
- Decorous Beliefs, Natalie Rivera, New York, NY
- BACA, B.A.C.A. Gallery, Brooklyn, New York, NY
- Home for June, Home for Contemporary Theatre and Art, New York, NY
- Pat Hearn Gallery, New York, NY
1990
- Laura Emrick, Kirsten Mosher and Kristin Oppenheim, Fernando Alcolea Gallery, New York, NY
- Works on Paper, Paula Allen Gallery, New York, NY (curated by Randy Alexander)
- Reconnaisance, Simon Watson Gallery, New York, NY (curated by Kirsten Mosher & Regina Joseph)
- Drawings by 7 contemporary American Artists, Yoshiaki Inoue Gallery, Kyoto

DISCOGRAPHY
2007
- Various Artists, Visionaire No. 53: Sound, USA (Vinyl & CD) - Limited edition
- Various Artists, Silence, Listen to the Show, Fondazione Sandretto de Rebaudengo, Italy
2000
- Various Artists, Because Tomorrow Comes #3, btc 03, Germany (CD)
1999
- Various Artists, Because Tomorrow Comes #2, btc 02, Germany (CD)
1996
- Various Artsist, Zonaradio / Keeping Time, La Box, ENBA, Bourges, France (CD)
1995
- Various Artists, Murs du son, Murmures, Villa Arson, Nice, France (CD)
1985
- Minimal Man, Sex Teacher, Fundamental Records, USA (Vinyl) - vocals

BOOKS, PUBLICATIONS AND CATALOGUES
2014
- Come And Go, Ed. By Passagen Verlag Ges.M.B.H, Kunst und Kultur, Gabriela
- Gantenbein für das österreichische Bundesministerium für Unterricht, Wien
- #1 Contemporary Art Biennale of Cartagena de Indias, Colombia, Ed. Berta Sichel, Biaci, Cartagena de Indias, pp.212-213, 233, 329, 439
2013
- Dusong, Emma, Voix Mémoires, Sorbonne University, Paris, November NYC 1993: Experimental, Jet, Set Trash and No Star, Ed. New Museum, New York, NY
2011
- Dusong, Emma, Chanter les transformations, Thesis, Université de Picardie Jules-Verne, Amiens
2009
- Elles @ Centre Pompidou, Ed. Centre Georges Pompidou, Paris
2007
- Rouge Baiser, FRAC Pays de la Loire (booklet) Silence. Listen to the Show, Sandretto Foundation, Turin
2006
- Armed, Mandeville Gallery, Nott Memorial, Union College, New York
2005
- Glass, seriously, Dorsky galleries, New York
2004
- Open house: working in Brooklyn, ed. by Charlotta Kotik, Brooklyn Museum, NY
2002
- The culture of violence, ed. by Donna Harkavy, University Gallery, University of Massachusetts Amherst, MA
Weil, Benjamin, Numbers, San Francisco Museum of Modern Art, SF (leaflet)
- Catalogue de la collection du FRAC des Pays de la Loire 1993/2002, ed. FRAC des Pays de la Loire, Carquefou
2001
- Intime Nature, ed. by Marie de Brugerolle, Parc Saint Léger, Centre d’art Contemporain, Pougues-les-eaux
- Little Angels, Houldsworth Fine Art, London
2000
- Presumed Innocent, curated by Marie-Laure Bernadac and Stéphanie Moisdon, capcMusée d’art contemporain, Bordeaux, p.99
1999
- Le temps libre, Ville de Deauville, Deauville
- Gravure Vous Avez dit Gravure, Musée Jurassien des Arts, Moutlier
- Rinder, Lawrence, Searchlight, Consciousness at the Millenium, Thames & Hudson, pp.49-52
1998
- Voices, ed. by Christopher Phillips, Witte de With, Rotterdam; Fundacio Joan Miro, Barcelona; Fresnoy, Tourcoing
Visions, ed. by Claudio Guenzani, St Trophime Rez de Chaussée, Arles, France
1997
- Gravures et Multiples, Centre Genevois de Gravure Comtemporaine, Geneva New York, Galleri F15, Moss, Norway
- Tate, James, You Are Here, ed. Royal College of Art, London, Dialogues: Kristin Oppenheim - Todd Norsten, Walker Art Center, Minneapolis, MN (leaflet)
1996
- Avant-garde walk a Venezia II, Biennale di Venezia, ed. by Marc Pottier, Edizioni d'arte fratelli Pozzo, Venice
- 29’ - 0 / East, ed. by Martin Kunz, Kunsthalle and Kunstraum, Vienna
1995
- Murs du son … murmures, ed. by Maurizio Nannucci & Liam Gillick, Villa Arson, Nice (+ CD-ROM)
- Threshold: Ten American Sculptors, ed. by Dan Cameron, Fundacao de Serralves, Porto Kristin Oppenheim’s Circular Paradox, essay by Al Harris, University at Buffalo Art Gallery, Buffalo, NY
- Avant- Garde Walk in Venezia, Edizioni d’Arte Fratelli Pozz, Venice
- On Board, Verlag Ritter Klagenfurt
1994
- Les Images du Plaisir, FRAC des Pays de la Loire, Chateau Gontier, Chapelle du Geneteil
- Dixiemes Ateliers Internationaux des pays de la Loire
1993
- Les images du plaisir, ed. by Jean-Francois Taddei, FRAC Pays de la Loire, Gétigné Clisson
- Aperto 93, Ed. by Achille Bonito Oliva & Helena Kontova, Giancarlo Politi Editore, Milan
- More than Zero, Ecole du Magasin, 5e session, Grenoble
- Utopia del Possible, Teatro Comunale Opera di Genova, Geneva
- Love Again, Kunstraum, Elbschloss, Hamburg
1992
- PS1 National Studio Program 1991-1992, MoMA PS1, Queens, NY
1990
- Reconnaisance, Simon Watson Gallery, New York, NY

PRESS
2013
- Lequeux, Emmanuelle, Feux d’artifice pour Nuit Blanche, Le Quotidien de l’Art, Paris, Oct 4
- Vogel, Wendy, NYC 1993, Flashart, #290, NYC, May-June
- Kabat, Jennifer, NYC 1993, Frieze, #155, London, May
- Considine, Austin, New Museum Looks back at 1993, Art in America, NYC, Feb 19
- Cotter, Holland, A Time of Danger and Pain, Two Long Decades Ago, The New York Times, NYC, Feb 14
2012
- Dusong, Emma, The Company of Absence, Volume, #5, Les Presses du Réel, Nice, January
2007
- Griffin, Jonathan, Kristin Oppenheim, Frieze, #111, London, November-December, p.176
- Sound, Visionaire, #53, NYC 2005
- Art Listings, Glass seriously, The New York Times, NYC, June 17
2003
- Taylor, Charlotte, Hear, hear, Frieze, #77, London, Sept
2002
- Sculpture magazine, Vol. 21, #8, Washington, October
- Philips, Christopher, Kristin Oppenheim at 303, Art in America, New York, Sept
- Malasaukas, Raimundas, review, tema celeste, #90, Milan, March-April, p.87
- Wilson, Michael, Critics Picks, www.artforum.com, New York, January
2001
- Honigman, Ana, Flatterers, Time Out New York, #304, NYC, July 19-26, p.53
- The Big ID, The New Yorker, NYC, March 19
- Lamb, Kelly, they like it like that, Smock, #2, Fall-Winter, p.38. - Phillips, Christopher, Kristin Oppenheim at 303, Art in America, NYC, September, p.147
2000
- Ziolkowski, Thad, Kristin Oppenheim: The Eyes I Remember, Artforum, NYC, May
- Art Guide, Kristin Oppenheim at 303, The New York Times, NYC, March 10
- Nicholson, Stuart, New Practitioners of Reduction: Hildegard Skowasch Kentler (International Drawing Center, Brooklyn, NY) and Kristin Oppenheim (303 Gallery, New York, NY), zing magazine, Vol.12, NYC, p.11-12
1999
- Coomer, Martin, review, Time Out, London, May 12-19
1998
- Ramirez, Anthony, Jewish Museum Appeals To Eye, Ear and Taste Bud, The New York Times, NYC, June 14
- Rugoff, Ralph, That Sinking Feeling, Frieze, #38, London, Jan-Feb
1997
- Review, Flashart, NYC, March-April
- The Big Issue Weekly, April 21-27
- Bernard, Kate, Hot Tickets, April 24
1996
- Grandjean, Emmanuel, I celebrate myself, and sing myself... (Walt Whitman), Das Kunst Bulletin, Zurich, June, pp.26-27
- Saltz, Jerry, Time Out Magazine, June 19-26
- Schwabsky, Barry, Studio Visit, Trans Magazine, May, pp.88-92
- Casapietra, Tiziana, Studio Guenzani, Flash Art, Milan, February-March
- Arning, Bill, Down for the Kunst, Time Out New York, NYC, #7, p.30
- Also of Note, Kristin Oppenheim, The New York Times, NYC, June 7
- The New Yorker, June 17
- Levin, Kim, The Village Voice, June 12
1995
- Carlos, Isabel, Threshold, Flash Art, NYC, November
- Brea, Jose Luis, Threshold, Artforum, NYC, November
- Huntingdon, Richard, Layers of Sound, The Buffalo News, February 2, p.23
1994
- Smith, Roberta, Art in Review: Kristin Oppenheim at 303, New York Times, NYC, April 1
- Nyffeneggert, Francoise, Voir, #111, December 1994-January 1995
- De Decco, Emanuela, recensioni, Flash Art, Milan, #177
- Liliana Stepancic, Gallery Window, Ars Vivendi, #20, Slovenia p.83
- De Cecco, Emanuela, Flash Art, #177, Milan
- Gimelson, Deborah, Rebels with a Cause, Self, pp.124-167
1992
- Scott, Andrea, An Eloquent Silence, Tema Celeste, Milan, October, p.83
- Bonami, Francesco, Flash Art, Milan, October, p.141
- Going on About Town, The New Yorker, NYC, June 22
- Cottingham, Laura, review, OW, June 14, p.32
- Levin, Kim, Voice Choice, The Village Voice, NYC, March 31
- Goings on About Town, The New Yorker, NYC, March 16, p.14
1991
- Originale in Serie, Das Comeback der Multiple, Cosmopolitan (German edition), p.18, illus.
1990
- Mahony, Robert, review, Tema Celeste, Milan, November, p.70, illus.
- Nesbitt, Lois, review, Artscribe, November, p.84, illus.